MOVIE
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‘The Accountant 2’ Review: Ben Affleck and Jon Bernthal shine in a surprisingly superior sequel
‘The Accountant 2’ Review: Ben Affleck and Jon Bernthal shine in a…
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‘Thunderbolts*’ Review: Jake Schreier’s First Foray into the Big-Budget Studio Filmmaking Benefits From Florence Pugh-Led Team Dynamics
‘Thunderbolts*’ Review: Jake Schreier’s First Foray into the Big-Budget Studio Filmmaking Benefits…
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‘Havoc’ Review: Gareth Evans Soaks Up a Familiar Bullet-Ridden and Bloody Action Thriller
‘Havoc’ Review: Gareth Evans Soaks Up a Familiar Bullet-Ridden and Bloody Action…
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Ryan Coogler Explores the Oft-Seen Vampire Genre Inside Out with a Propulsive Mix of Character-Driven Historical Drama and Blues Music – Talking Films
‘Sinners’ Review: Ryan Coogler Explores the Oft-Seen Vampire Genre Inside Out with…
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‘Warfare’ Review: A Fantastic Piece of Filmmaking that Deserves to be seen on the Biggest Screen
‘Warfare’ Review: A Fantastic Piece of Filmmaking that Deserves to be seen…
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Sundance 2025: ‘Where the Wind Comes From’ Review – Two Souls on the Road
Sundance 2025: ‘Where the Wind Comes From’ Review – Two Souls on…
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‘L2: Empuraan’ Review: A Franchise Vehicle Leveraging Mohanlal’s Never-Ending Aura
‘L2: Empuraan’ Review: A Franchise Vehicle Leveraging Mohanlal’s Never-Ending Aura | Talking…
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Sundance 2025: ‘Khartoum’ is A Fascinating Hybrid of Traditional Documentary Film with Experimental Green Screen Approach and a Heartfelt Story of Survival
Sundance 2025: ‘Khartoum’ is A Fascinating Hybrid of Traditional Documentary Film with…
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Sundance 2025: ‘Gen_’ Review – The Gentle Resolve of a Compassionate Clinician
Sundance 2025: ‘Gen_’ Review – The Gentle Resolve of a Compassionate Clinician…
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‘Humans in the Loop’ Review: AI, Identity, and the Burden of Bias
‘Humans in the Loop’ Review: AI, Identity, and the Burden of Bias…
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